What I remove from my writing is linear context. It's not really important to me, because it doesn't give me chills to see, "you flip the latch and the lock opens and then you can open the top of the chest and inside the chest is this." That doesn't give me chills, to think in that vein. So I've always kind of avoided it.

The reason I can do what I do on stage is because I couldn't fake it.

At best doing art you feel like you're led by something that doesn't involve you.

What I remove from my writing is linear context. It's not really important to me, because it doesn't give me chills to see, "you flip the latch and the lock opens and then you can open the top of the chest and inside the chest is this." That doesn't give me chills, to think in that vein. So I've always kind of avoided it.

I am not concerned about the 80 BMP consistency law of popular music. I'm concerned with other things, and they're very valid.

I MAY NOT BE MUCH ELSE IN THIS WORLD BUT I GUARANTEE YOU I AM GETTING INTO RAPPER HEAVEN.

Recording is a lengthy process, but onstage it's completely different; tape is not running - life is running, and cannot be rewound.