I'm not the kind of artist that wants to get a sound, refine it, and do it 'til I'm 50 so that it's the purest amber of my one way.

I'm not the kind of artist that wants to get a sound, refine it, and do it 'til I'm 50 so that it's the purest amber of my one way.

Being on stage, it's like, "Ooo-kay, now I remember why all this is going wrong or right!" It's very much my element.

I change my direction, I can't even help it. It's sort of like the fortune and misfortune of being a rapper.

With freestyling it's not about "Say something funny!" That has nothing to do with it. It's about becoming quicker on your feet and knowing that your entire day can go into your rap if you're on it.

I am not concerned about the 80 BMP consistency law of popular music. I'm concerned with other things, and they're very valid.

I can deal with all the pangs of having to find money in 20 different places because you don't really reap the whirlwind with this cutting-edge music.