If you don't practice for three days, everyone will notice." It's something you have to really maintain. So unfortunately, I don't play it that often but I may take it up again. If you don't play for a while, you just can't hit the notes. It's like going to the gym. If you go and do weights, you can lift x amount of weight and if you don't go for ages, you've gotta start again and start from the beginning. So it's a bit like that. It's just a muscle.

With our job, you often meet people through work. I've had two long-term relationships, from 14 to 18 and 19 to 21. One I met at school and the other I met on a job so who knows where I'll meet the next person.

[London is] one of the best cities in the world. There is just so much culture there and so much history and so much diversity. It's just a perfect place to grow up. I studied at the Guildhall every Saturday so I'd always be in town every weekend doing that. I was kind of a city boy really.

I dreamt of being an actor ever since I was young.

One of the biggest things I used to struggle with was about things like going on holiday. Whereas all your friends can talk about something and plan something all year long, I know that I'm probably going to be away and I'm going to miss all of it. If a job comes up, you just can't be there.

Often you find actors have big hearts; they're quite emotional people. Talking to actors who date other actors, and talking to people who deal with other actors, they often get emotionally caught up in lots of different things. They often wear their hearts on their sleeves. They feel things quite a lot - often to the nth degree, which I can imagine could make it quite difficult to date some of us. I think it's about having an emotional availability that you can kind of draw on. But I'm also searching for that. I'll be searching for the answer to that question for the rest of my life.

When you're forced to watch something in school, you never really enjoy it, you sort of rebel against it in a certain way.