After multiple trips to Paris and being accused of participating in 'heinous' activities in regard to the state, I found my Romanian nationality revoked by 'presidential decree' in 1975. Because I hadn't asked for political asylum like everyone else, I had to live and travel with the infamous Nansen Passport from then on. This wasn't easy...I finally obtained my French citizenship in 1983.
Dumitru TepeneagMany images of animals, mammals or birds, resurface regularly in my narratives. They are not symbols, but chromatic benchmarks. For me, music has always been the perfect construction - an inaccessible ideal.
Dumitru TepeneagOn the other hand, Surrealism has been a part of Romanian literature since forever. Even before Tzara, who was originally Romanian, we had Urmuz, who was a surrealist before the term even existed. During Breton's era too, there was a very active Romanian Surrealist group (Ghรฉrasim Luca, Gellu Naum, etc.) closely related to the French. They had to quit their activities as soon as the Soviet communists took over.
Dumitru TepeneagThe narrative image has more dimensions than the painted image - literature is more complex than painting. Initially, this complexity represents a disadvantage, because the reader has to concentrate much more than when they're looking at a canvas. It gives the author, on the other hand, the opportunity to feel like a creator: they can offer their readers a world in which there's room for everyone, as every reader has their own reading and vision.
Dumitru Tepeneag