You go to the cinema and you realize you're watching the third act. There is no first or second act. There is this massive film-making where you spend this incredible amount of money and play right to the demographic. You can tell how much money the film is going to make by how it does on the first weekend. The whole culture is in the crap house. It's not just true in the movies, it's also true in the theater.

Usually, those people don't even like actors and they can't wait until they get in the cutting room. They kind of break down in categories: directors who like to be surprised and some of them abhor being surprised. As far as directing, we all direct when we're acting in movies... every single one of us.

Many actors want to play Hamlet and Macbeth. Ever since I became an actor, from the very beginning I just wanted to play a Shetland pony. I cannot explain why

Someone once said to me, 'Some of us choose to live with a lifeboat just a little bit out of our reach.' I'd like to reach a point where I no longer bullshit myself. I think that's the natural human condition - to lie to yourself. Because the truth is painful.

So, they had this 40-odd year friendship with each other and with Mr Harwood. So, when I came on it Albert, Tom and Maggie were in the cast. But then Albert wasn't up for it, so he had to withdraw.

I'd like to thank my parents for not practicing birth control.

We're not allowed in the cutting room - and that's extraordinary. So, when a director is asking for certain nuances and colours and we feel that they're phoney, but we do it because the director asks for it, that's the one that they pick in the cutting room. And I contend that when you see a movie with bad acting, don't blame the actor... blame those guys in the cutting room because they like that take.