I would love to expose multiple younger generations to Frank's music. It's not an easy task because It's not ever going to be plastered all over the radio for the masses.

I was given all of my dad's guitars when he passed, and they were being stored at the house. My mother decided they were hers again, and she took them all back, and now they're going up for auction.

I mean, no offense, but I don't really see why, like guitar players from Creed, or something like that, are on the cover of guitar magazines. Almost anybody can sit down and learn to play those songs.

I didn't really hear any other music other than what my dad was working on until I was 12. My recollection of hearing other music was that I liked some things that I heard but I always thought, 'Where's the rest of it?' It didn't have the same amount of detail or instrumentation or imagination in the arrangements.

There are so many things that are misunderstood or not recognized about my father's music because they've been filtered by people who work for magazines like Rolling Stone.

Well, I haven't been doing that much work with other people per se. I started doing more of that.

If you only ever heard "Valley Girl," or "Don't Eat The Yellow Snow," or a song that has a comedic narrative, you would get some impression that that was novelty music, but that's the only stuff that ever got on the radio. You can make the argument that that's what has confused generations as to what his music's about.