A poet's pleasure is to withhold a little of his meaning, to intensify by mystification. He unzips the veil from beauty, but does not remove it.

Walden is the only book I own, although there are some others unclaimed on my shelves. Every man, I think, reads one book in his life, and this is mine. It is not the best book I ever encountered, perhaps, but it is for me the handiest, and I keep it about me in much the same way one carries a handkerchief - for relief in moments of defluxion or despair.

A man is not expected to love his country, lest he make an ass of himself. Yet our country, seen through the mists of smog, is curiously lovable, in somewhat the way an individual who has got himself into an unconscionable scrape seems lovable - or at least deserving of support.

When my wife's Aunt Caroline was in her nineties, she lived with us, and she once remarked: 'Remembrance is sufficient of the beauty we have seen.' I cherish the remembrance of the beauty I have seen. I cherish the grave, compulsive word.

In a free country it is the duty of writers to pay no attention to duty.

Every morning I awake torn between a desire to save the world and an inclination to savor it. This makes it hard to plan the day. But if we forget to savor the world, what possible reason do we have for saving it? In a way, the savoring must come first.

The H-bomb rather favors small nations that doesn't as yet possess it; they feel slightly more free to jostle other nations, having discovered that a country can stick its tongue out quite far these days without provoking war, so horrible are war's consequences.