When I was a child people simply looked about them and were moderately happy; today they peer beyond the seven seas, bury themselves waist deep in tidings, and by and large what they see and hear makes them unutterably sad.

There is no satisfactory explanation of style, no infallible guide to good writing, no assurance that a person who thinks clearly will be able to write clearly, no key that unlocks the door, no inflexible rules by which the young writer may steer his course. He will often find himself steering by stars that are disturbingly in motion.

The main thing I try to do is write as clearly as I can. I rewrite a good deal to make it clear.

Every morning I awake torn between a desire to save the world and an inclination to savor it. This makes it hard to plan the day. But if we forget to savor the world, what possible reason do we have for saving it? In a way, the savoring must come first.

In a free country it is the duty of writers to pay no attention to duty. Only under a dictatorship is literature expected to exhibit an harmonious design or an inspirational tone.

The living language is like a cowpath: it is the creation of the cows themselves, who, having created it, follow it or depart from it according to their whims or their needs. From daily use, the path undergoes change. A cow is under no obligation to stay

I always write a thing first and think about it afterward, which is not a bad procedure because the easiest way to have consequential thoughts is to start putting them down.