I do enjoy talking about how everything's changed and I'm fascinated by it, and I can spend my time worrying, like, "Are we going to appeal to teens?" But then, if I were to try to make a record for teens, I'd be doing exactly what I said I didn't want to do. That'd be posturing. And I'm watching other people trying to do that, and they all look stupid. But for some of them, it's working, so cash in.

I have the right to speak up. If you don't want to listen, just unfollow. If you're so upset about it you can't even listen to my music, because you're upset that we're not supporting Trump or whatever, then fine. Don't. Don't listen. Moving on. End of story. I'm more disappointed in fellow artists that stay mum for fear of losing a handful of fans.

It seems to be really trendy to get excited about a random-ass radio song. Which, I like radio songs, don't get me wrong. But I'm just confused at which ones seem to be heralded as some sort of genius-like concoction. It doesn't totally make sense to me.

I think sometimes I get overly excited about adding things and having new ideas. You forget that more isn't always better.

People digest and process music differently, and I'm sure that was the case even when I was a kid.

It's really hard to maintain a band as a democracy. Again, I think there's been a shift. There's a lot of emphasis put on style and a singular personality, as opposed to a more anonymous group of people playing music. It's more about can I dress this person up? Are they going to look pretty? I feel like the cult of personality is back, for sure.

One of my favorite things is when I'm listening to a song and I find my own meaning in it that I can relate to and I can create my own relationship and bond with the song.