Every album has a thing where it's like, "How are we going to marry our four ideas and personalities?" The older we get, the more people become comfortable with their strengths and weaknesses. Being in a band with such a long history can be frustrating and slow, but ultimately it's so much more rewarding.

I think there is a fascination with choral music in general.

Every album has a thing where it's like, "How are we going to marry our four ideas and personalities?" The older we get, the more people become comfortable with their strengths and weaknesses. Being in a band with such a long history can be frustrating and slow, but ultimately it's so much more rewarding.

It seems to be really trendy to get excited about a random-ass radio song. Which, I like radio songs, don't get me wrong. But I'm just confused at which ones seem to be heralded as some sort of genius-like concoction. It doesn't totally make sense to me.

My mother was a music teacher and my grandfather was a professor of music, and there was a lot of singing in the family. It wasn't like trained singing or anything like that, but it was singing.

I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.

One of my favorite things is when I'm listening to a song and I find my own meaning in it that I can relate to and I can create my own relationship and bond with the song.