We played around and improvised a ton [in The Hangover], and I think it's hard to say at this point what's what. Gosh, I wouldn't even know how to take a stab at it. The script was so good that we really didn't need to improvise very much, but I think we just found a lot of moments on the set. It's really cool when you get onto the set of a movie and you start shooting the scenes and you start to actually incorporate the environment.

It's kind of hard to win most elections on anti-family, immorality, and Satan-worship.

Getting any movie made is just like trying to push a giant boulder up a mountain, and there's so many moving parts. Obviously, there's the creative side, and then there's the logistical side, and they're both colossal.

They [Mike Tyson and Todd Phillips] actually struck up a really pretty incredible chemistry, those two, and I think they really trusted each other.

As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting that, I'm just aware in the back of my head what an editor might want. And also, the problems editors run into when trying to edit performances - it helps me head that off at the pass a little.

We played around and improvised a ton [in The Hangover], and I think it's hard to say at this point what's what. Gosh, I wouldn't even know how to take a stab at it. The script was so good that we really didn't need to improvise very much, but I think we just found a lot of moments on the set. It's really cool when you get onto the set of a movie and you start shooting the scenes and you start to actually incorporate the environment.

As much as you do get beat-up doing even small action sequences, it's incredibly fun.