There really aren't any deletes [in The Hanover movie]. There's like one or two deleted scenes but they're not important or meaningful scenes.

Whenever I've messed around with radio-controlled things, there's always been a part of me that's thought, I wonder if there might actually be a little guy piloting these vehicles.

I'm working on a script right about Civil War re-enactors who go back in time to the actual Civil War. It's kind of a big, crazy Back to the Future comedy. So, of course, it's the Civil War - I play the banjo. I was just having a conversation with one of the producers about some of the material and he was like, 'You know, we have to work in a scene where you play the banjo. And I was like I'll get behind that.

I wish there was a way to know you were in the good old days before you actually left them.

I grew up in Georgia and I think if you're raised in the South it's where a lot of the war was fought, and it's just more present in the sort of psyche of the South. So I've always just been interested and sort of fascinated by [Civil War].

I have profound respect for Sacha Baron Cohen, but Borat is not a particularly comfortable movie for me to sit through.

I worked as an assistant editor, actually, for a few years. That was right when I was just starting to get out at night and do a lot of stand-up, improv, and sketch work in New York. It really is invaluable. I think it pounded into me an awareness of what an editor wants and needs, in terms of clarity of a moment, where and when to start and stop a line.