It's incredible how big a part of my acting career music has become. I get asked about it all the time, and I love it. It's one of my favorite things, and I'm so glad that I get to sort of work that in.

I'm sure I cause just as much consternation for editors as any other actor, but it definitely makes me feel more comfortable understanding how and why all the different camera setups exist.

Whenever I've messed around with radio-controlled things, there's always been a part of me that's thought, I wonder if there might actually be a little guy piloting these vehicles.

There really aren't any deletes [in The Hanover movie]. There's like one or two deleted scenes but they're not important or meaningful scenes.

I worked as an assistant editor, actually, for a few years. That was right when I was just starting to get out at night and do a lot of stand-up, improv, and sketch work in New York. It really is invaluable. I think it pounded into me an awareness of what an editor wants and needs, in terms of clarity of a moment, where and when to start and stop a line.

As much as you do get beat-up doing even small action sequences, it's incredibly fun.

This word gets overused in describing actors but I think it applies to Mike [Tyson] in this case - he was totally fearless. He jumped in and played with us comedically and improvised a lot. A lot of jokes in those scenes with him are from him improvising.