It was never tough [ being the new guy]. It's just the warmest group of people [The Office stuff] you could ever hope to work with.

Vulnerability is huge. I love to see that in characters. It's something I feel like a lot of my comedic heroes have always done.

I'm the worst in The Office. It's a problem. They've had to shut down the set for like 30 minutes because of me.

What's cool is that in the story of the movie [The Hangover] our characters are also really kind of getting to know each other and bonding over the course of the movie. And I think you're seeing a real, a literal sort of friendship growing both in us as actors and on screen as characters.

I worked as an assistant editor, actually, for a few years. That was right when I was just starting to get out at night and do a lot of stand-up, improv, and sketch work in New York. It really is invaluable. I think it pounded into me an awareness of what an editor wants and needs, in terms of clarity of a moment, where and when to start and stop a line.

Let's just say it was damn hard [to make the Hangover]. I've got the bumps and bruises to show for it. It's funny because things that don't even look that bad on screen were still extremely painful.

I wish there was a way to know you were in the good old days before you actually left them.