I found myself often asking the question, "Who deserves to be made fun of?" Depending on your mood, the answer can be no one or everyone. It took me a while to understand the math of how those field pieces came together. I don't think that ridicule is ever funny, but there are times when that gets the biggest response.

Getting any movie made is just like trying to push a giant boulder up a mountain, and there's so many moving parts. Obviously, there's the creative side, and then there's the logistical side, and they're both colossal.

I'm kind of embarrassed by how quickly I adjusted to L.A. I really love it. It's so pleasant.

That's actually a rare thing to be on a set full of people that you admire and make you laugh all the time.

I lived in New York for 10 years, I loved it, I never second-guessed it. There were definitely times when I thought, "I will never leave this place." And I kind of got into that center-of-the-universe mindset.

When I was 15 I lost a tooth and had an implant put in. Cut to 20 years later, I'm doing this part [Andy Bernard] and the script calls for my character to lose a tooth.

I told personal stories the way [Bill] Cosby would spin a yarn for ten minutes. I think in hindsight it works better as a long story than as a condensed monologue.