If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression.

In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period.

I find linseed oil and white lead the most satisfactory mediums.

Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.

I think that zinc white has a property of scaling and cracking.

Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world.

I once got a little camera to use for details of architecture and so forth but the photo was always so different from the perspective the eye gives, I gave it up.