I use a retouching varnish which is made in France, Libert, and that's all the varnish I use.
More of me comes out when I improvise.
I think that zinc white has a property of scaling and cracking.
If I had the energy, I would have done it all over the county.
Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.
My aim in painting has always been the most exact transcription possible of my most intimate impression of nature.