I never even considered comedy genre as something to embrace or move away from.

There's a lot of romanticisation of the intuitive actor and method acting and all kinds of notions about getting inside a character and coming out from there.

I tend to have a kind of tunnel vision when I'm looking at an individual piece.

Popularity is the slutty little cousin of prestige, my friend.

The more you do your homework, the more you're free to be intuitive. But you've got to put the work in.

The more you can create that magic bubble, that suspension of disbelief, for a while, the better.

It's better for people to miss you than to have seen too much of you.