See, I don't get the sense that you need to direct at all. Sometimes I get the opposite sensation from you, that you're like, "I really should go do something else." But then you are drawn back in by a particular story, like a hangnail in the brain.

If Nick Broomfield never found anyone with affection for Courtney Love, it's only because he conspicuously avoided the countless friends, colleagues and fans who appreciate her talent and admire her as a person. But then, why would Broomfield have opened up his film to those of us who work with Courtney and are close to her when there are so many bitter left - behinds and desperate attention - seekers eager to validate his attack on her character? Inquisitors in every age, scared of forceful women, have used all kinds of half - baked testimony to whip up chants of 'Burn the witch!'

It's ginned up by the corporate plutocracy as a way of distracting the working-class people that it's screwing. We hamstring our own natural progressivism in this country, and that's really stupid.

I'm not a very methodologically pure actor. Almost every time that I start, I feel completely at sea. Always at the beginning I feel like a fraud, really, because I'm never sure how to get started.

I do find myself drawn more to pieces that I feel are wrestling with the way that we're living now, what we're all going through.

I grew up on the golden age of children's TV.

The deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.