It's not a matter of whether the reviews of your books are good or bad, it's about being taken seriously, both as a woman writer and as a writer of color. Also, it worries me when people point to a couple of women writers or writers of color who get some attention - and I am sometimes pulled into that category - to prove that others are getting a fair shot. It's like those people who keep saying that racism no longer exists in this country because Barack Obama was a President of the United States.

Write what haunts you. What keeps you up at night. What you are unable to get out of your mind. Sometimes they are the hardest things to write, but those are often the things that are worth investigating by you specifically. . .

In terms of the idea of long-term occupation - I have been reading a little bit more about this period - and you can see in that occupation are many lessons for the current occupation of Iraq. So we have these connections that go way back that people aren't aware of.

It's interesting to see people overcome things. Because if you didn't overcome, you wouldn't be writing it.

That has always been a strength of Haiti: Beyond crisis, it has beautiful art; it has beautiful music. But people have not heard about those as much as they heard about the coups and so forth. I always hope that the people who read me will want to learn more about Haiti.

The more practice you have, the less stressful writing is.

Someone has said that nations have interests, they don't have friends, and you see that over and over in U.S. policy.