Well, Mom and Dad are both actors, and Ive spent a lot of time watching my mom on stage and a lot of time on set with my dad, so it was very much a part of my growing up.

It's hard work. It's really hard work, but it's really interesting. We have this camera, I think it's called a SimulCam, and when you play it back, you can see the giant in the scene you just shot. It's incredible. You're reacting to a tennis ball that's way up there, then when you watch it, it's this huge giant's face on it. Wow. That's cool. I just can't wait to see it when it's all edited together and the special effects are all crystal clear. It's going to be, hopefully, amazing.

I like to kind of change my performance so that there's more to play with in the editing suite. At the same time I think by the time you've done say 55 takes you're exhausted and you've kind of lost the power behind it that you had on take #1 or take #2.

There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.

Well, Mom and Dad are both actors, and Ive spent a lot of time watching my mom on stage and a lot of time on set with my dad, so it was very much a part of my growing up.

I never trust anything that can be captured in 2 takes.

I love doing stunts. It's so much fun.