When you have an animal in your home, a relationship forms very quickly, where that animal ceases to be an animal to you. It feels like a member of your family.

I think as a music listener you have your rock and roll dreams. I personally wouldn't want to apply that necessarily, mainly because I love music too much to mess it up.

You've got major artists releasing albums on their own and eschewing the major system. I think that breeds excitement and creativity.

The predominant difference between television and film is the pace to which you work, but the development of the character or the process for playing the character isn't necessarily different.

["I Don't Feel at Home in This World Anymore" ] really jumped off the page. And there were so many specific notes within the context of the script. Music cues, for instance.

I certainly thought of who [Tony from "I Don't Feel at Home in This World Anymore"] was. He was so different from anyone I've played. And it was so important for me and Macon [Blair] - this was on the page too - to not make a caricature. There's a version of Tony that I think could be heightened.

The war is definitely in the background, only referred to in radio news blips and conversation. I think, ultimately, this film is about the choices these guys are faced with. In that way, I think this is a more personal story about their friendship, about the reaction that they have when they're essentially faced with death, to a certain degree.