Islam doesn't have a monopoly on violence in Africa. And violence plays a particularly critical role in places where statehood is weak at best, such as the Maghreb.

Seeing the Afghan women in their burqas, it's easy to say, "Well, they're not as fully aware as I am, so why do I have to worry so much about their plight?" But that's a misunderstanding. They are brutally aware of their station.

You can't be wrong in journalism. Take a wrong turn in journalism, and you are writing fiction. You can take a wrong turn in poetry, and something wonderful can happen.

The power of the voice in rap is about the expression of truth, rather than the expression of some kind of artifice. Landays, they're about love and pleasure and oppression and levels of oppression within a family. And because of that, I think rap music is probably closely related.

When I would ask women to tell me landays, and they were comfortable enough to do so, they'd tell me ones that reflected the state of their own lives.

If we think about folk forms, they belong to disenfranchised people, people who have not been allowed access to the poetry of literature or the leisure time that comes with the pursuit of poetry. Instead, this is ceremony. This is a highly charged way to create a sacred space that isn't necessarily about God, but is about human experience at its most profound levels - whether that's love or grief, separation, or homeland. All are altered states.

The truth is, terrorism flourishes in places of injustice rather than in places of poverty.