Poetry is a popular genre in Afghanistan. If you turned on the radio, there would be a poetry program that would be as popular as The Real Housewives.

The future of Afghanistan is incredibly dark, and decisions are happening incredibly quickly. Speculation is a fool's game, but I've seen many political projections that look like the Taliban could hold most of the country, and possibly Kabul, within perhaps a short time. I can't imagine how Afghanistan's fall isn't going to be ten times faster than Iraq's. The role of women in that space is terrifying, and the idea of retribution is a nightmare.

Seeing the Afghan women in their burqas, it's easy to say, "Well, they're not as fully aware as I am, so why do I have to worry so much about their plight?" But that's a misunderstanding. They are brutally aware of their station.

Islam doesn't have a monopoly on violence in Africa. And violence plays a particularly critical role in places where statehood is weak at best, such as the Maghreb.

I can't imagine how Afghanistan's fall isn't going to be ten times faster than Iraq's.

In most of the world, poetry has such a different reputation than it does in Western culture. Poetry is a popular genre in Afghanistan. If you turned on the radio, there would be a poetry program that would be as popular as The Real Housewives. People aren't listening to poetry as if they're taking their vitamins. Instead, it's a popular vessel you can fill with anything. You could fill it with sass. You could fill it with rage. You could fill it with political statements.

I was examining what religious identity meant in Africa. Along the edge of the Islamic world, what patterns were shaping identity? And the truth is, when I looked at the rise of violent forms of religion, no single identity was prevalent. It's central to note that in Nigeria, that tree is rooted primarily in Christianity. It's not just Islamic militants in the Middle Belt.