The appetites of the body were private battles.

I've always been tremendously interested in criminal law. It goes to a deep interest I have in prisons and the criminal element, and what we do as a society with it. I've always been touched by the idea of criminality.

I have to pay attention to what I have felt and observed, then push these responses to an extreme while keeping the story within the realm of being psychologically and emotionally true.

Olive's private view is that life depends on what she thinks of as "big bursts" and "little bursts." Big bursts are things like marriage or children, intimacies that keep you afloat, but these big bursts hold dangerous, unseen currents. Which is why you need the little bursts as well: a friendly clerk at Bradlee's, let's say, or the waitress at Dunkin' Donuts who knows how you like your coffee. Tricky business, really.

Back and forth she went each morning by the river, spring arriving once again; foolish, foolish spring, breaking open its tiny buds, and what she couldn’t stand was how—for many years, really—she had been made happy by such a thing. She had not thought she would ever become immune to the beauty of the physical world, but there you were. The river sparkled with the sun that rose, enough that she needed her sunglasses.

I actually see myself in all my characters. In order to imagine what it feels like to be another person I have to use my own experiences and responses to the world.

She didn't like to be alone. Even more, she didn't like being with people. (148)