I love travel shows. I love Anthony Bourdain. I love No Reservations. I always learn so much, and I wanted to see one from a gay perspective that explored LGBT communities around the world.

I'm not good at watching stuff that I'm in at all. I should stop. I shouldn't watch something for the first time with a room full of people at Sundance. It's not a good idea.

I'm not used to being in front of a camera as myself. I'm not used to watching myself as myself.

I didn't really play dress up when I was a kid, and I'm really T-shirt and jeans-y.

I feel like we've inherited modern infrastructure, and I could run away from it and become a full-time activist, or I can try to do my job, and try to talk about things I care about, and be able to do something like sponsor a topsoil conference in Nova Scotia, and talk about Bill McKibben, and narrate a documentary about the vanishing of the bees, and try to navigate my way through this world the best way possible. That's what I'm trying to figure out. Probably like many people right now.

We're friends, and we're both friends with actresses our age, but we never get to work with each other because there's one girl in the movie, or whatever. For me, it was just so amazing to get to work with Evan [Rachel Wood], who I've loved forever.

Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.