The idea behind it did come out of my love for travel shows. I loved them as a little kid and I loved Anthony Bourdain, but I really did want to see one about LGBTQ communities and culture and the specific country that we visit. Of course it is about the joys and the triumphs and the nightlife, but sadly, unfortunately, it's also about the discrimination that people face, because that's the reality.

I don't know why people are so reluctant to say they're feminists. Could it be any more obvious that we still live in a patriarchal world when feminism is a bad word?

There are a lot of things I love about acting and one of the things I love the most is, here you are taking words off a page, working with someone you might have met just a week before, and somehow you're creating a moment that separates itself from space and time. You feel an incredible rush when you have that moment with another actor. You can feel it bounce off one another. Every take you do can reveal different things that were hiding. And things outside the story get revealed to you, too. It's an incredible way to work and to experience a story.

I have trouble sometimes watching actors - even when they do a great job - with an accent.

I'm not used to being in front of a camera as myself. I'm not used to watching myself as myself.

I think a lot of people in my circle are thinking that way or see the movie [Into the Forest] and then really think that way. I think it's hopefully tapping into sort of a consciousness right now in regards to our society's relationship with the environment and our own and our disconnect from it, myself included.

I've always been a huge fan of Patricia's [Rozema ], as a director and as a writer, and she's a friend. For me, Patricia is one of those people who can cross genre in a way that I think has been pretty incredible, if you look at her career and the versatility of her work.