Translated books rarely get reviewed in the press. Books or poems or works of art that don't seem to have a corresponding style or figure or theme, obviously they're hard to digest.

I wrote Baghdad Central right after translating a great work by Ibrahim al-Koni, who is sort of a master of Arab fiction. In conversations with him I realized that translations have been my MFA program. If I have learned how to write fiction it's by working with great writers and getting them to explain their craft to me so that I can do it in English. That's how I've figured it out.

Michel Aflaq - is bad poetry wrapped in the guise of utopian politics, or great poetry wrapped in the guise of horrible politics.

A high-ranking Syrian official in DC laughed when he heard I was reading Michel Aflaq and writing this book. He said, "Let me tell you something. There are no Baathists, no one believes this stuff, this is stuff you read in school because it's assigned to you. Maybe someone believed it, but no one really believes it." And I thought that was really interesting to hear, because the ideology of Baathism was presented so often to Americans as the core of what's wrong.

The more I've reflected on that and asked Iraqi friends, the more I realize that the corruption in Iraq has nothing to do with ideas - it has to do with the regime and institutional structures and power. There's no core to what Michel Aflaq has to say that results in this. That was a key to looking at Michel Aflaq as a sideshow. He's the intellectual father of an ideology that no one probably ever believed in. At that point I began to appreciate him in a funny way.

Each discipline has the capacity to be interested in politics, and each would ask different questions of what politics is, what constitutes power, how power is maintained, how it circulates, how relationships are formed, how institutions are built, how they fall. Every discipline would answer those questions in different ways.

If I have learned how to write fiction it's by working with great writers and getting them to explain their craft to me so that I can do it in English.