I do try hard to pick roles that differ. I love that about the job. I think the variety that's out there is to be taken advantage of and I enjoy that element of shape shifting with everything.

It's sort of a meat market, the whole awards thing, and I don't think you can predict it anymore - who's going to like what you've done, if it's worthy or not. And hopefully, that's not why you make a film, because if you're distracted by that, or only striving for that, you don't do it justice.

It's nice to play someone who is naive.

I'm a big supporter of Joe Johnston and I think that 'Captain America' is going to be really fun and I gather that the story is really interesting. It just wasn't what I wanted to do next, to be honest.

I do strive to find projects that are trying to carve out some new space. I enjoy projects that leap away from the crowd a little bit.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

Personally, I'm an advocate for short engagements. Long sometimes means there is a reason for it. Two years engaged and no wedding... I'd be upset.