I do try hard to pick roles that differ. I love that about the job. I think the variety that's out there is to be taken advantage of and I enjoy that element of shape shifting with everything.

It's sort of a meat market, the whole awards thing, and I don't think you can predict it anymore - who's going to like what you've done, if it's worthy or not. And hopefully, that's not why you make a film, because if you're distracted by that, or only striving for that, you don't do it justice.

When you're in love, you're so happy that you want to tell people about it. But now I have to censor myself. You need to protect the happiness you have.

If you're very open to watching the world go by, with people's different tics, you absorb it all without realizing it and find ways to put something into your character. I'm not sure I'm always aware I'm mimicking someone.

What's wonderful about Into The Woods is that you have a combination of all the most famous fairytales in this one story.

It's a big chip on my shoulder that I have not been to any of his parties - P. Diddy, Diddy Puff. But he was super nice to me. And he does look sharp, that guy. Doesn't ever go wrong with a suit.

The more we mask ourselves, the freer we're able to be within ourselves.