People quit on jobs. They quit on marriages. They quit on school. There's an immediacy of this day and age that doesn't lend itself to being committed to anything.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

Well, you wear underwear. That helps.

It's sort of a meat market, the whole awards thing, and I don't think you can predict it anymore - who's going to like what you've done, if it's worthy or not. And hopefully, that's not why you make a film, because if you're distracted by that, or only striving for that, you don't do it justice.

I want to find something really wonderful to do next and take my time to search through the dearth of great material, especially for women.

I think it is nice for people to appreciate a slow-burning, beautiful story that makes you feel good when it is over.

It's nice to play someone who is naive.