Everything I know about makeup, I've learned from my sister.

We can't spend all day trying to get the performance exactly right and you just have to accept that and move on and accept the medium that you're working in and you know, there's a beauty in working under constraints and limitations. I think a lot of great things can come out of that.

A lot of people are not used to having death in their lives or anything like that and I think that's not incredibly natural either. So it definitely can take its toll. At the same time I think it's important to face your own mortality, which I do most every day by doing the show, to realize that your life is short and to take the opportunities that you need to take and be fearless.

Farm animals are just as interesting and intelligent as the dogs and cats who we know a bit betterYet they are treated by the meat industry as though they are inanimate objects with no feelings or personalities.

It can sometimes make people fold into themselves and kind of run away, but I think in this case these characters are being forced to face issues and emotions, feelings, that they have. So it kind of forces them to face it head on, which I think is a really interesting dynamic. And I think it should be interesting and probably a good thing for the relationship.

Everything I know about makeup, I've learned from my sister.

We've got a great team of editors, that's true. And we work hard so that when we do the couple of takes that they're good takes hopefully. Not always, that's for sure; there are lots of bad ones, but we try to work hard. Clint Eastwood doesn't more than one or two takes in his films. And he makes some good films.