Every time I'm shooting a movie I want to kill myself. Because I don't see the light in the end of the tunnel.

I've reached the 50th year of my life, and now every question related with life also includes thinking about death. When I leave, I want to leave to my offspring a clear idea about identity.

What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world.

I put my ideas into practice. That may be the reason people hate me.

Every movie that I do, if you analyze the stories, you can notice that in each story, that within the movie after the first 15 minutes, it could fall apart. Or every 10 minutes it has the chance that you lose the thread. On the other hand, if you succeed in putting them together, then the movie looks spontaneous and more like cinema.

I am finished with cities. I spent four years in New York, ten in Paris, and I was in Belgrade for a while. To me now they are just airports.

The most difficult part of making movies is to keep making them. Maybe, you could make the biggest hit in the world, but then the big problem is what to do next and how to maintain devoted to a certain instinct that I have about films.