I've reached the 50th year of my life, and now every question related with life also includes thinking about death. When I leave, I want to leave to my offspring a clear idea about identity.

What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world.

I've been around some very famous people, but no one has the effect Maradona has; people tremble in his presence.

Making movies is a dangerous job. Because you are always the one who stands at the center of the universe when making movies.

You know, in each segment of ex-Yugoslavia, multi-ethnic life is lost, except I think we somehow still have this in Serbia.

My purpose is to make a movie to make you warm. To give you some heat. Now, this rational world has become a place where only what is cool is good. Do you cut the movie on the basis of the beat of modernity or the basis of the beat of your own heart?

Every movie that I do, if you analyze the stories, you can notice that in each story, that within the movie after the first 15 minutes, it could fall apart. Or every 10 minutes it has the chance that you lose the thread. On the other hand, if you succeed in putting them together, then the movie looks spontaneous and more like cinema.