You know, in each segment of ex-Yugoslavia, multi-ethnic life is lost, except I think we somehow still have this in Serbia.

Every time I'm shooting a movie I want to kill myself. Because I don't see the light in the end of the tunnel.

My father was an atheist and he always described himself as a Serb. OK, maybe we were Muslim for 250 years, but we were orthodox before that and deep down we were always Serbs, religion cannot change that. We only became Muslims to survive the Turks.

You know, in each segment of ex-Yugoslavia, multi-ethnic life is lost, except I think we somehow still have this in Serbia.

Every movie that I do, if you analyze the stories, you can notice that in each story, that within the movie after the first 15 minutes, it could fall apart. Or every 10 minutes it has the chance that you lose the thread. On the other hand, if you succeed in putting them together, then the movie looks spontaneous and more like cinema.

I will not cut my film because, because, because, because of the Wonderful Wizard of Oz.

The advantage of the gypsy language, even though I don't understand it that much, the language is perfect melody. So if you propose the movie the way I do, then the language is just one part of the melody. Orchestrating all inside, and the language is following the meaning of what they say, and it's never the same as written.