I don't mean being famous is a perk, because one knows that it's not necessarily a perk, but there are certain perks to being well-known and respected in one's field. Public perks. Like, I don't know, general friendliness and willingness to please, just to point out two.

I think it's [the AIDS fight] the most important and most pressing one - I think it's a global emergency and I think in a way we all have to address it and engage with it because I think it's the biggest threat to the human race that we have ever faced.

If there's a role you're playing and there's a great deal of material to explore because the person was real then it's a completely different preparation time and message to playing someone fictional.

Children are much more understanding of the suddenness and arbitrariness of death than we are. The old fairy tales contain a lot of that, and we've stolen from them, just as they stole from Greek myth, which has that same mixture of pre-Christian chaos.

The films I've made for children have been my hardest work, my best, because kids deserve the best.

You can't be a great mum and work the whole time necessarily; those two things aren't ideal. We have an awful lot to work on and to debate about in relation to our working lives, because it isn't working for a lot of people, particularly for a lot of women.

British aren't really known for their physical loveliness but firemen, generally speaking, are gorgeous.