If you felt like you've done the best thing you could possibly ever do, it's probably time to hang up your spurs because there's not much else to do.

Stepping out of the director's chair completely and into a scene as an actor was weird. It was more excitement about directing than anything, but I was on a high from being a director and enjoying that process so much that going back to being an actor was almost secondary because I really was loving directing.

I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.

There are always going to be people who are more famous and more bankable than you, and then conversely, you may be more famous and more bankable than other people. But, there was a time that I would take jobs because they were there.

I would really like to focus on directing features, and then eventually take that skill set back to television. On features, you have more control. On television, the producers are the creative forces behind it. Directors come and go on television.

As a director, you want to be really connected to every part of your set, from your actors all the way to your camera operators. Everybody is a part of the creative process, and if they feel like they're part of a team versus just being a tool, they're going to give you something special.

If you felt like you've done the best thing you could possibly ever do, it's probably time to hang up your spurs because there's not much else to do.