Ensemble is hard to do. It's like 3-D chess.

I'm not hip, I'm not cool, I'm not glib.

I write my plays to create an excuse for full-tilt acting and performing.

I provide the bricks and mortar with the words and situations - the director and the actors and the designers build the house.

If we all knew we were going to live to be 150 years old, we'd all approach our lives very differently.

Ensemble is hard to do. It's like 3-D chess.

I started acting when I was in high school, started writing when I got to New York in 1975.