I think there's a certain objectivity that comes from being Canadian. You're partly British and partly American; you have a good bird's-eye view of both countries. So much of the comedy that comes out of Canada is impersonation - it's less 'look at me' than it is 'look at me playing other people.

I think there's a certain objectivity that comes from being Canadian. You're partly British and partly American; you have a good bird's-eye view of both countries. So much of the comedy that comes out of Canada is impersonation - it's less 'look at me' than it is 'look at me playing other people.

It was a film [The Lost World], and it's a sequel at the same time. The first shot on the first day was from the sequel to the movie they hadn't made yet. But yeah, it was a pretty amazing experience running around the jungle for that.

I was raised on 'Get Smart' and 'All in the Family' and 'M.A.S.H.,' and certainly when 'Cheers' came along, that was a big one.

Andy Ackerman directed the episodes that I was doing, and he directed a lot of Seinfeld [episodes]. And that was great.

My most romantic job: I was a manager at Baskin-Robbins.

The things had been made a half a dozen times from silent pictures through the '30s and '40s. In fact, I think there's a version in the '50s. And then, of course, Spielberg eventually did a version of The Lost World, but this [filming] was '91, I think. And we shot it in Zimbabwe.