You see a child play, and it is so close to seeing an artist paint, for in play a child says things without uttering a word. You can see how he solves his problems. You can also see what's wrong. Young children, especially, have enormous creativity, and whatever's in them rises to the surface in free play.

Hope is the enduring belief in the attainability of fervent wishes, in spite of the dark urges and rages which mark the beginning of existence. Hope is the ontogenetic basis of faith, and is nourished by the adult faith which pervades patterns of care.

Play is the most natural method of self-healing that childhood affords.

Adolescents need freedom to choose, but not so much freedom that they cannot, in fact, make a choice.

The sense of identity provides the ability to experience one's self as something that has continuity and sameness, and to act accordingly.

In the evaluation of the dominant moods of any historical period it is important to hold fast to the fact that there are always islands of self-sufficient order — on farms and in castles, in homes, studies, and cloisters — where sensible people manage to live relatively lusty and decent lives: as moral as they must be, as free as they may be, and as masterly as they can be. If we only knew it, this elusive arrangement is happiness.

Doubt is the brother of shame.