There's an awful lot to be desired. I've gone to places where people say to me, "What's your technique?" Technique? What the hell technique is there to acting? We're acting because even with my voice I'm giving what I think is what I want to say.

If John Wayne were alive, he’d be rolling over in his grave!

Writers used to make such wonderful pictures without all that swearing, all that cursing. And now it seems that you can't say three words without cursing. And I don't think that's right.

I don't chart out the life histories of the people I play. If I did, I'd be in trouble. I work with my heart and my head, and naturally emotions follow.

We've all got a lot of catching up to do. I'm still learning how to act, for god's sake. When I see these old-timers on the Turner Classic Movies, I still get ideas, you know. That's where you really learn acting. If you really see some of these old boys working it and you say to yourself, "My God, if I could really do that that would be wonderful."

We got together, and Bruce Willis was just a sweet animal, a sweetheart. I tell you, right down to the core he's just a real professional, a real gentleman, and I must say I'm so very happy for him that he's got a heck of a good film.

A lot of people forget that today. They come to the point where you walk on a set and the first thing you know you're looking at the sound man and you're saying to yourself, "How the hell can they get any sound when nobody is talking!" They get all mumbly. You can't make out what they're saying! And you're 6 feet away from them! Whereas in the old-time movies, you hear them, you understand every word they're saying, and you didn't have to put on your loudspeaker.