What I learned constructive about women, not just ethics like never blame them if they pox you because somebody poxed them and lots of times they don't even know they have it — that's in the first reader for squares — is, no matter how they get, always think of them the way they were on the best day they ever had.

But you always fall for somebody else and then it's all right. Fall for them but don't let them ruin you.

Home is where the heart is, home is where the fart is. Come let us fart in the home. There is no art in a fart. Still a fart may not be artless. Let us fart and artless fart in the home.

I was trying to write then and I found the greatest difficulty, aside from knowing what you really felt, rather that what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things which produced the emotion that you experienced.

If he wrote it, he could get rid of it. He had gotten rid of many things by writing them.

You know that fiction, prose rather, is possibly the roughest trade of all in writing. You do not have the reference, the old important reference. You have the sheet of blank paper, the pencil, and the obligation to invent truer than things can be true. You have to take what is not palpable and make it completely palpable and also have it seem normal and so that it can become a part of experience of the person who reads it.

Do not think about sin, he thought. There are enough problems now without sin. Also I have no understanding of it.