Often, the stories are very much like trust falls. You fall, and you hope the story's going to catch you.

When my books were translated, it was always about the characters, because the unique language aspect was lost in translation.

When you work on a graphic novel or a film with people you've been together through a lot and you've exposed your secrets and weaker sides to each other.

As the son of Holocaust survivors, this is life - you're put in a corner, and you have to get out. I believe that you can always get out.

I'm not saying that I don't experience people in life as evil, but writing is not a place of alienation; writing is the place where we can try to be human.

In Israel, the role of the writer is dictated by the language in which you write. Writers see themselves as cultural prophets.

I think when you write, you should call it a "writing spree." I don't write every day, and I don't write regularly.