Just look at the messages today's media are sending everybody, from TV and commercials to actors and singers. Kids are just drowning in that 24-7 and it's getting really bad.

[The dancing] was a challenge. It was fun, though. I was nervous, at first, because I danced so long ago that it was weird picking it back up.

I had been in a place where I was letting too many people dictate who I should be and what I should be, and I was trying to make everybody happy to the point where it was just killing me. I'd completely lost myself. It's kind of funny now that people think I've completely changed myself for Marilyn Manson, when this is actually the first time in my life that I took a stand and said, "This is who I am and this is who I've always wanted to be, and I'm finally with somebody who lets me be who I want to be."

I love walking onto the set and the blindfold is taken off and then everything I do is fresh and in the moment. That's why I loved working with Darren Aronofsky.

Authentic and free. The Gucci guilty woman is about living in the moment. She's a modern woman, someone who really owns herself and her sensuality. It's supposed to be a very empowering and sensual fragrance.

I really fell for Marilyn Manson. I thought how awful it was that an artist like him could be blamed for something - someone who brings so much to the world and, if anything, probably comforts kids who are in pain by saying, "You're not alone."

Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.