Rock-and-roll was an example of change in the body of the culture. I think it's really what helped bring the anti-war movement to its peak and moved people into the streets to seize the day - the movement was the embodiment of what was happening in the music. This is what taught me that it was possible to bring art and activism together. Without that piece, that energetic embodiment piece, the rest is just intellectual construct.

I think for me, happiness is crucial, but I think we think that happiness comes from amassing goods and getting things and being loved and being successful, when in fact my experience of happiness comes when you give everything away, when you serve people, when you're watching something you do make somebody happy, that's when happiness happens.

I think many of us get separated from the mothership - our body - early on. I think the mothership is also the Earth, and life itself. Trauma separates us from that and dissociates us from our hearts.

I think that's part of the whole denial and suicidal mechanism [ of the human's race] right "Oh my God, the house is on fire." You sleep through the smoke.

To love women, to love our vaginas, to know them and touch them and be familiar with who we are and what we need. To satisfy ourselves, to teach our lovers to satisfy us, to be present in our vaginas, to speak of them out loud, to speak of their hunger and pain and loneliness and humor, to make them visible so they cannot be ravaged in the dark without great consequence, so that our center, our point, our motor, our dream, is no longer detached, mutilated, numb, broken, invisible, or ashamed.

Theater has an incredible capacity to move people to social change, to address issues, to inspire social revolution.

One of the most radical things women can do is to love their body.