Rock-and-roll was an example of change in the body of the culture. I think it's really what helped bring the anti-war movement to its peak and moved people into the streets to seize the day - the movement was the embodiment of what was happening in the music. This is what taught me that it was possible to bring art and activism together. Without that piece, that energetic embodiment piece, the rest is just intellectual construct.

What happens when someone throws you against a wall or tells you you're a jackass or puts you down or calls you bad names? It goes into your body. We hold it in our body. If we don't have a way to let that go and release that, it becomes sickness eventually.

The mechanism of violence is what destroys women, controls women, diminishes women and keeps women in their so-called place.

People are sad. People are broke. People are worried about money, people are worried that they're not enough and not amounting to anything and they don't feel good about themselves. People have rough times, and everybody's pretending it's not true, and we need to break that veneer.

Today the United States has the highest prison population in the world, over 2.1 million people. ... We lock people up at a rate that is seven to ten times that of any other democracy.

If you look at capitalism and patriarchy, they're both such hierarchical, competitive, oneupmanship systems. They've trained us all [to think] that power means having all the goods or having the most money or having the most attention or having the most fame. That's not the power that interests me. Actually, the deconstruction of that power is what interests me.

I think violence against women in America has become ordinary - it's been made absolutely acceptable.