You will touch this joy and you will suddenly know it is what you were looking for your whole life, but you were afraid to even acknowledge the absence because the hunger for it was so encompassing.

There were momentary visitations. I was a visitor, not an inhabitant. I think I say that at the beginning of the book: "I have made visits to the earth in my body, but it's always been as a visitor."

Theater has an incredible capacity to move people to social change, to address issues, to inspire social revolution.

I think for me, happiness is crucial, but I think we think that happiness comes from amassing goods and getting things and being loved and being successful, when in fact my experience of happiness comes when you give everything away, when you serve people, when you're watching something you do make somebody happy, that's when happiness happens.

I think all my work's been about how do women get back into our bodies; how do men get back. We're all disassociated.

I think we need to teach pleasure. What beautiful touch means. What reciprocity means. What being connected and what intimacy means. Boys get out there at a young age and the performance posturing is so great and ends up being hard and aggressive.

We get off track. Capitalism takes us off track. You get off the "real" and get on the "wheel." The "wheel" becomes the winning and losing, the succeeding and failing, the "I will achieve." All that stuff becomes so preoccupying, particularly if you're born with low self-esteem, or no sense of yourself, or even if you're just born in the consumer culture. It's very powerful.