The minute someone tells you you have cancer, it's kind of like you die. You really do die. It's like you get that you're mortal.

But my body was telling its story. I have read a lot of stuff about cancer. I needed this book. I wish I'd had this book when I had cancer. I wanted someone to be talking to me about "fart floors." I wanted somebody telling me what it was like to have a colostomy bag. I felt so alone. And if you're a person who's been traumatized by past abuse, it's so potentially re-traumatizing. You slip right into "oh my god, this is the only person this has happened to before" mentality: "I'm especially bad and I have especially bad cancer..."

I think that anytime you get clear about what your mission is or what your focus wants to be, things start to come together in your life.

Dancing in public spaces and moving your body freely in a public space is reclaiming what was taken from you when you were violated. The energy of that - you can't capture it, you can't own it. Capitalists can't buy it.It can't be sold. It can't be monetized. And that's why I think it's so powerful.

I think one of the problems with the capitalist mainstream is this: no matter what you create to respond or resist it they will buy it.

We're always learning. We're all in the process of decolonizing ourselves - removing all the parts of us that are sexist, homophobic, transphobic, racist. I mean, everybody in society needs to be in this process because everybody's been brought up in a misogynist, racist, homophobic, transphobic culture.

I think being an activist and an artist is an interesting contradiction, because so often they are at odds with one another. When you write as an artist you have to clean the palate of your own politics in creating characters and activism is kind of the exact opposite.