Apart from Scottish traditional music, I wasn't really influenced by any kind of music. I just basically followed my own instincts.

A large part of my work has been collaborating with composers; I think we've commissioned about 140 pieces now, a lot of them percussion concertos.

I've kept a diary since I was 11.

I often play on the cello-bass side of the orchestra, because I prefer the deep sounds. I can't hear the violins well.

I hope the seeds I have sown will be taken up by those who will follow me because the journey I have begun cannot be undertaken in isolation.

Society cannot continue to disable themselves through their need to categorize people or make assumptions as to another individual's abilities.

I try to plant myself where I am and embrace what is there in front of me.