In another life, I would love to be the art guy - a production designer or a maybe even a composer.

In general I think the inspiration was to think about all those movies that I saw as a kid and never knew they were remakes, because I know there's probably another kid going to watch Evil Dead who has no idea.

There's always a tone that you have to hit right in horror. With the blood, you want to make sure that it makes sense all along.

You can make a film with a phone and a computer if you want, if you have the time. So it's a world that is saturated with films and all kind of stuff, so it's such a blessing to be able to make a film and people care, and even if they say that it's a bad idea, at least they care and they're talking about it.

I really don't like to go for the stereotypes. I try to give you characters that you don't know until you get to know them, and [decide] how you should feel about them.

I take things from everywhere, and I still haven't figured out where I took [some things] from.

I try not to be spectacular with the camera. I try to be a witness of what's going on.