To narrate is to create, for living is just being lived.

Writing is like paying myself a formal visit.

Sometimes, when I wake up at night, I feel invisible hands weaving my destiny.

The principle tragedy of my life is, like all tragedies, an irony of Destiny. I reject real life as if it were a condemnation; I reject dreams as if they were an ignoble liberation. [...]After the end of the stars uselessly whitened in the morning sky and the breeze became less cold in the barely orange tinged in the yellow of the light on the scattered low clouds, I, who hadn't slept, could finally, slowly raise my body, exhausted from nothing from the bed from which I had thought the universe.

THIRD WATCHER Let her speak. Don't interrupt. She knows words that mermaids taught her...I'm falling asleep in order to hear her...Go on, sister, go on...My heart aches because I wasn't you when you dreamed at the seashore.

There is no happiness without knowledge. But knowledge of happiness is unhappy; for knowing ourselves happy is knowing ourselves passing through happiness, and having to, immediatly at once, leave it behind. To know is to kill, in happiness as in everything. Not to know, though, is not to exist.

I read and am liberated. I acquire objectivity. I cease being myself and so scattered. And what I read, instead of being like a nearly invisible suit that sometimes oppresses me, is the external world’s tremendous and remarkable clarity, the sun that sees everyone, the moon that splotches the still earth with shadows, the wide expanses that end in the sea, the blackly solid trees whose tops greenly wave, the steady peace of ponds on farms, the terraced slopes with their paths overgrown by grape-vines.