The principle tragedy of my life is, like all tragedies, an irony of Destiny. I reject real life as if it were a condemnation; I reject dreams as if they were an ignoble liberation. [...]After the end of the stars uselessly whitened in the morning sky and the breeze became less cold in the barely orange tinged in the yellow of the light on the scattered low clouds, I, who hadn't slept, could finally, slowly raise my body, exhausted from nothing from the bed from which I had thought the universe.

To need to dominate others is to need others. The commander is dependent.

Ah, what a morning this is, awakening me to life's stupidity. [98 - Zenith trans.]

When one of my Japanese teacups is broken, I imagine that the real cause was not the careless hand of a maid but the anxieties of the figures inhabiting the curves of that porcelain. Their grim decision to commit suicide doesn't shock me: they used the maid as one of us might use a gun.

The end of lower art is to please, the end of average art is to raise the top, the end of superior art is to free.

To choose ways of not acting was ever the concern and scruple of my life.

Tomorrow I too – this feeling and thinking soul, the universe I am to myself – yes, tomorrow I too will be someone who no longer walks these streets, someone others will evoke with a vague: 'I wonder what's become of him?” And everything I do, everything I feel, everything I experience, will be just one less passer-by on the daily streets of some city or other.